Urbanworld Film Festival 2024

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Directed by by Frank Sputh, Bin Martha, Kolumbianerin (I'm Martha, Colombian) is a slowcumentary, the nearly three-hour portrait of a young Afro-Colombian woman, a slow, closely observing documentary.

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Perspectives directed by Neer Shelter has qualfied for the 2024 Academy Awards

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FYC: Academy qualified short film 'Perspectives' directed by Neer Shelter | Oscars Shortlist

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Rent Abyss: The Greated Proposal Ever, a short film made with a diverse cast & crew working together to tell a story about Love, Friendship and PTSD! This urban military homecoming drama is a candid glimpse into the troubles surrounding a U.S. Army Sergeant who gets stranded by SEPTA in the inner city when a wild marriage proposal shakes up his plans to reunite with the only family he knows. 

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Entries in Events (83)

Thursday
May092013

The Great Film Festival ‘Audience Award’ Hoax – A Piece of Advice for Moviegoers #indiefilm

A moment in my day (2012): At a screening of "The Last Fall" starring Lance Gross.You’ve seen the movie posters, read the newspaper reviews and website listings, looked at the DVD covers that are all toting badges of honor for a film that won the Audience Award at your local festival.

Guess what – those laurels don’t mean the title you're looking at was the most popular film playing there (although this could still be a possibility, so don’t count it out).

The award indicates that there were people in attendance who actually took the time to vote for this movie.

So, here is some sound advice for men and women who attend film festivals: Participate in the voting process during screenings where you are asked to vote on films!

Your vote counts – and I know you’ve heard these lines time and time again from political campaigners that spew them out on television, on the sidewalk, on Obama/Romney (whoever’s camp you’re with) T-shirts, buttons and baseball caps, etc. – but voting at film festivals makes a HUGE difference where Audience Awards are concerned. Most, if not all, other main awards (Best Film, Best Director, Best Documentary, etc.) given out are selected by a jury of people with a myriad of expertise and interests including (but not limited to) festival staff members, seasoned directors, television & film producers, university professors, screenwriters and even corporate executives that have nothing to do with making movies (but are probably sponsoring the event).

The Audience Award is a whole different ballgame because festivals use the votes tallied from people who sat in the theater (or lawn, rooftop, bar, etc.) watching all of the movies that are competing for this particular honor. This includes people who are not affiliated with the festival or the films playing on screen, in any way shape or form. If you ever bought a ticket or pass to attend a film festival and if you ever plan on visiting one in the future – YOU are among these people – the audience members who festivals (and filmmakers selected to screen at the event) rely on for votes.

A moment in my day (2011): The Q&A for "The Casserole Club" directed by Steve Balderson; At Tribeca.Audience Awards provide the kind of bragging rights that indicate moviegoers at the festival enjoyed a particular film the most, compared to other films in a given category.

Since filmmakers, cast, crew, newspaper journalists and related workers are the ones mainly filling up the seats at some of the festival screenings that take place each year, it can be difficult to gauge who likes what and more importantly – where the Audience Award is going to go.

All voting methods and tallying of those votes are not created equal. I’ve worked at festivals where paper ballots are given to attendees and I’ve also attended a film screening where the voting was done electronically. Some festivals are better at organizing the voting process than others, regardless of what form the ballots are dispersed in and collected. That said, it’s easy for almost any film to win no matter how well or how poor the audience received it when, under the right circumstances, the director’s parents put in that winning ballot that put their kid’s movie over the top.

Since indie pictures need all the support they can get, my call for more active audiences is not meant to discount the votes of family and friends who have showed up to back their favorite movie in every way that they can. That is awesome! There is an equally, if not more, important side to that, however, when a lot of independent films are at slight disadvantages because audience members who just came to check out new movies that they are curious about stop at the roll of end-credits. You can’t stop there. You must get involved in the voting for movies that you watch at film festivals.

If you don’t vote, then you make it easier for your favorite films to fall by the wayside while other movies get to win laurels in their place – including flicks that may not even be that good. It is a reality that occurs far more often than you may think at festivals. You can watch two films that are like night and day when it comes to entertainment value but it won’t matter if Film A plays better than Film B – festivals are counting the votes.

Film A is considered to be Great but received 12 votes from the audience

Film B is considered to be Ok but received 17 votes from the audience

Film C is considered to be Poor but received 9 votes from the audience

Which film do you think won the Audience Award? -- It surely isn’t Film A!

As you can see, voting matters when it comes to independent films. It doesn’t matter if you attend a festival with the intention of watching one movie, or several that are playing there – Make sure your participation at these screenings include a vote for the films that YOU enjoyed watching!

Today’s post is a mash-up of two prompts from Jenni who is hosting the Blog Everyday in May Challenge. She encourages participants to share a piece of advice for others, as well as a moment in your day via photography.

Sunday
Mar102013

Movies and Moscato – 'Dead Man Down' Mix it Up #ISawWhatYouDid #nowplaying

Oscar nominated actor Terrence Howard plays a crime lord in the revenge thriller “Dead Man Down,” now in theaters. One look at the movie trailer – especially if you turn the sound off, however, and it’s easy to notice how he doesn’t have the typical appearance of a gangsta. Instead, Howard could fool almost anyone into believing that he is either some type of upscale nightclub owner or danger-seeking millionaire playboy with too much time on his hands. That pegs the question…what does a gangster look like? Does murder and tailored clothing mix in crime films? How about strange lovers and revenge?

Actor Colin Farrell teams up with “Girl with the Dragon Tattoo” star Noomi Rapace in this movie, to bring down the man who brought them harm. Meanwhile, Terrence Howard’s character is sitting pretty, confident that he will survive his right-hand man’s plot to destroy him.

I like Colin Farrell and the “Dead Man Down” trailer looked entertaining but I must say, Dominic Cooper is among the main reasons why I would watch this movie. It is Khalil Kain, however, who has me thinking that the flick is best viewed in a movie theater that offers an *ahem* extended beverage menu.

On Thursday, actor Khalil Kain attended a sneak peak screening hosted by Terrence Howard – where some atypical concessions were served up, grown-folk style. He skipped the fountain drinks to have Myx Fusions Moscato with his popcorn. Now, that’s gangsta!

What movie theater near YOU has the best concession stand?

Photo by Stephen Knight

Monday
Feb112013

What are Your Favorite Oscar Nominees for Best Original Song?

Over the weekend, The LAMB published an Oscars post that I wrote about the Best Original Song nominees. It was an opportunity to explain why the lead tune from “Chasing Ice” is worth a listen despite making the movie seem long and boring.

I also shared how the comedy “Ted” starring Mark Wahlberg allowed Norah Jones’ vocals and the musicians’ talents to work to its advantage but not enough to get my vote. After realizing that “Life Of Pi” didn’t have any memorable songs that stood out and “Les Miserables” just gets props by default, I think that the nominations are all over the place.

Still, everyone has their favorites, which brings me to the theme of this week’s Monday Movie Meme: Best Original Song.

Share on your blog or in the comments section, some of your favorite Oscar nominees for Best Original Song. The song can be from any previous Oscars season, so long as it was among the nominations. Here are my selections for this week’s Best Original Song theme.

Skyfall
This pick needs no explanation, especially since Adele already won a Golden Globe for her James Bond tune. The song is hot! Need I say more? If so, I have you covered -- see when I made a case for Skyfall winning the Oscar for Best Original Song.

I Don’t Want to Miss a Thing
Say what you want about “Armageddon” -- a lot of people think this movie is ass and other people (like me...thanks to Bruce Willis) enjoyed watching it. Regardless, Aerosmith did a fine job making “I don’t want to miss a thing,” which earned them an Oscar nomination for Best Original Song during the late 90s. Although Whitney Houston’s collaboration with Mariah Carey for the “Prince of Egypt” soundtrack eventually took home the golden statue, I would still bump Aerosmith’s track any day of the week!

Lose Yourself
I remember watching the 75th Annual Oscars that year when Eminem -- a rapper -- won for this inspirational track from the dramatic narrative “8 Mile.” The beat and lyrics are so dope, I dare you to claim that you still don’t believe you can take on the world after listening to this song.

What are YOUR favorite Oscar nominees for Best Original Song?