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Directed by by Frank Sputh, Bin Martha, Kolumbianerin (I'm Martha, Colombian) is a slowcumentary, the nearly three-hour portrait of a young Afro-Colombian woman, a slow, closely observing documentary.

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Fine Art Reproductions - Limited Edition Giclees on Canvas and Limited Edition Prints by World-Renowned Visual Artist and Designer, Synthia SAINT JAMES

 

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Come SUPPORT the makers and SHOP for the holidays at MADE@BOK Small Biz Saturday Market where you can get a head start on The Madlab Post’s Shop Small Treasure Hunt with movie tickets, videogames and more! This is a market featuring crafts from artists, designers, makers and small businesses that create within the walls of the historic Bok building. Free entry!

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Perspectives directed by Neer Shelter has qualfied for the 2024 Academy Awards

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FYC: Academy qualified short film 'Perspectives' directed by Neer Shelter | Oscars Shortlist

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Rent Abyss: The Greated Proposal Ever, a short film made with a diverse cast & crew working together to tell a story about Love, Friendship and PTSD! This urban military homecoming drama is a candid glimpse into the troubles surrounding a U.S. Army Sergeant who gets stranded by SEPTA in the inner city when a wild marriage proposal shakes up his plans to reunite with the only family he knows. 

The 2019 Short Film Slam Round V Championships is showing at Motor House in Baltimore, MD. Visit the Shop for Advance Tickets to our awards showcase!

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Entries in Short Films and Videos (47)

Friday
Jun092023

Aliens Rain Fire, Romance and Beach Vibes in Sci-Fi Comedy 'Higher Grounds'

If you want a good laugh and enjoy Sci-Fi comedy films with a retro twist, Higher Grounds has arrived just in time for summer! It’s a 16-minute extraterrestrial adventure about Ralff, one slacker alien who comes to destroy earth with his fellow “field drone,” Razzorakk.

Soon they find themselves sidetracked by gastrointestinal issues, a supply shortage and a mob of people who think they are generous visitors here to save the planet from rising temperatures. The biggest distraction of all, however, is Ralff’s quest to hook up with the hot café barista, Cleo. Suddenly, our survival depends on whether this space-schmuck can get her number, before his plucky partner blows us sky high.  

Written by Joe Kramer (who also directed this film) and Christian Sarkis Graham, Higher Grounds is set in Philadelphia on a typical Saturday for working Americans. That is, most working Americans except Julie, another café barista who takes advantage of a parking situation that leaves Cleo stuck at the café on her only day off – putting a dent in her plans to get a nice tan at the beach.  

It doesn't take long for Ralff to believe he's a “Gracious God” based on little more than speculative propaganda distributed by local news reporters, TV broadcasts and a growing crowd of neighbors who put him on a pedestal. Ralff takes things a step further by deciding it was destined for him to come to earth at this particular time, and be at this particular location. 

It’s nuts how misinformation and propaganda spreads like a viral disease when people refuse to do their own due diligence to understand what's happening around them, why it's happening, and what they can do about it. This leads to group thinking, which can often take a destructive turn when people believe things just because they heard it on the news or because it's the norm in their culture or locale.  

As the plot in Higher Grounds illustrates, this is hard to do when your Mayor, NASA and other leaders share false narratives while the local media gives them a platform to do so, thus perpetuating the nonsense. It's alarming to not be able to trust many, if not all, of the sources of information we have come to rely on for news, exploratory findings and leadership. 

The good news is the first act sets you up for a funny ride through a warm and sunny Saturday afternoon that is, like Cleo, easy on the eyes. Kudos to director Joe Kramer and cinematographer Daniel Brennan on the great shots. It's really a treat to see a film that delivers all sorts of angles that make the story even more visually pleasing. 

Speaking of storylines, there seems to be two that intersect throughout Higher Grounds in a surprisingly organic way. That is, if running into aliens on a mission to destroy the planet is business as usual for you. Much like the annoying traffic and parking headaches that motorists and SEPTA bus riders often experience in center city, South Philly is notorious for its parking issues. So, those who live in or nearby Philadelphia can relate to the parking headaches that sometimes turn into a life altering ordeal. 

Sprinkled with funny lines that have great timing, Higher Grounds, also has some likeable characters to root for and others that remind you of people you’ve met that make your life hell. You know, that co-worker who calls out at the last minute or doesn’t do their job so you end up taking on their responsibilities. Some quips in the film, like the Elroy Jetson reference, might fly over your head depending on how in tune you are with pop culture and your age. 

I appreciate the hustle of the café owner, Gus, who believes its fate that aliens have come to earth to keep the lights on. Gus’s humorous attempt to save his small business by advertising the café during a viral scene in the film shows how he’s willing to act quickly and take advantage of good opportunities that may be available -- even in a crisis. 

Cleo’s desperate attempt at a staycation using what she has available in the workplace is hilarious. There seems to be a longing and desperation that permeates through the mindset and behaviors of some of the characters in this film. Desperate to be liked. Desperate to escape from work or debt. Desperate for answers and acts of God. Cleo just wants to go to the beach. Ralff just wants to get her number. Razzorakk just wants to find a bathroom and Gus just wants someone to work the Cuisinart so he can capitalize on all this foot traffic from the alien visitors. The people in the community, at least on the surface it seems, just want cooler temperatures and fresh air. Then, there’s the litter that tells a different story. 

If you’ve been a longtime reader of this blog, you already know that littering is one of my pet peeves. As someone who participated in Blog Action Day and supports several causes addressing issues such as pollution, access to clean water and disaster relief, I was aggravated by the way some characters in Higher Grounds were single-handedly and collectively destroying the quality of life in their own environment while looking for an external solution at the same time. They're so fixated on a foreign invasion of "Gracious Gods" that they aren't looking at what they can do themselves to save the planet from extinction. 

You might also recognize actor John O’Hurley, best known for his role on the TV sitcom, Seinfeld, as the alien commander who sends Ralff and Razzorakk on a mission to actually “roast the planet” in Higher Grounds. As these alien foot soldiers prepare to “rain fire on all of these women and children,” I was bothered by the way that killing only seemed morally wrong when women and children are involved.  

There's a brutal grocery store scene that highlights the differences in Ralff’s moral compass when it comes to him questioning his job duties, which led to me liking him less. I mean, there are men on planet earth too and they shouldn't die just because the half naked female human you're chasing is "easy on the eyes." 

Higher Grounds is a quick, slice of life weekend adventure that had me rooting for the aliens in some scenes. Well, except of course for that grocery store scene. That one made me mad at Ralff along with the times when he’s so wrapped up in his own world that he’s oblivious to the needs of other people and that of what’s really going on around him. 

I loved the song "Last Train to San Fernando" in this film, along with Higher Grounds' composer Randy Sutin's musical score in general. The "Last Train to San Fernando" tune lends itself to the timely message that I took away from watching it, which is that you must make the most of the time you have on this earth because it will be over -- whether by natural, extraterrestrial or man made disasters -- before you know it!

The film also gives you some of the explosive and stylized elements that you would anticipate in a summer blockbuster, with local charm. In the midst of the frenzy surrounding the arrival of visitors from outer space, Higher Grounds is full of underlying tones reflecting global and societal issues. In 2022, the film was nominated for an Audience Award at the Raindance Film Festival satellite event, the Japan Indies Film Festival. It also screened in the Coney Island Film Festival in early May. 

If you're local in the Tri-State area, or up for a day trip to New Jersey -- a popular destination for tons of people who enjoy their summer at the shores in this coastal area; just sayin.... -- Higher Grounds is showing this weekend on Sunday, June 11th at the LBI Historical Association Museum during the Lighthouse International Film Festival. 

You can also stream the film here from the comfort of your home, at the office during your lunch hour or while stuck on a side street sitting behind a double-parked car. This short film made my day and just might do the same for you! 

Do you believe in destiny or fate?
When was the last time you went to the beach?
What do you think is the biggest issue plaguing our planet?

 

Thursday
Jan192023

What Short Film Slam Audiences are Saying about Inès Clivio’s French comedy ‘Jumeaux (Twins),’ Jordi Garcia’s animated musical ‘Gene's 6th Symphony’ and more 

Grieving brothers make a terrifying discovery on a hunting trip in Nicholas Carrodo’s horror film, The Door. A woman tries to catch her boyfriend cheating in Tanya Huston’s comedy, Suspicion. A married couple searches for their missing daughter in Mahmoud Atshani’s suspense thriller Suffocation, while Roberto Luca helps other people who have been sentenced to life in prison change their lives and re-enter society in Michael Steves’ documentary, The Lifers Network. 

'The Lifer's Network' documentary directed by Michael StevesWith more than 20 titles screening in this month’s virtual encore presentations for Round III and Round IV of the 2022 Short Film Slam, presented by The Madlab Post, there’s a favorite (or two...or several) for fans of nearly every genre. Here’s what viewers are saying about the shorts in this lineup so far. 

The Madlab Post's Short Film Slam: Round III is a "Great selection of festival films and presented in a very professional manner with consideration of the viewing audience that kept everything interesting." 

'Gene's 6th Symphony' directed by Jordi Garcia is a symphonic magical story that defines true love and a life-long journey ending with a hope that lives forever.Gene's 6th Symphony, an animated musical drama directed by Jordi Garcia is "Beautiful and Touching" in Round IV

She Survived, a documentary directed by Judi Polanco is "Powerful" in Round IV 

When We're Thirty, a romantic comedy directed by Jordi Jonesy Moore and Tessa Zitter is "Fun and creative!" in Round IV 

Jumeaux (Twins), a teen comedy directed by Inès Clivio is "Well done." in Round IV

 

In Jumeaux (Twins) directed by Inès Clivio, it’s a stormy French national day. On the road for holidays, Madoche, her sister and her twin run out of gas....

Flipping, a horror directed by Rahul Barkley is “Heart touching. Sensitive and important subject to address. Great graphics and music.” and “Very well made... It's for young generations.” in Round IV 

Which film are YOU looking forward to seeing this weekend? 

Friday
Feb192021

Short Film Slam is on with Zombie Apocalypse, Soldiers in Turmoil and Wild Zoom Meetings

16 year-old Mia Tretta was shot when her classmate opened fire at Saugus High School in 2019, killing two of her friends. Just when Mia's life was returning to normal, the first wave of Los Angeles County's COVID-19 lockdown brought on intense isolation. During the summer, a creative family project helped channel Mia's energy into honing her skills as a film actress. 

Two young siblings must take care of their dangerously ill parent and protect each other from the outside world during a pandemic in "Day 14."She currently stars in Day 14, a short film centered around the strength of family during dark and uncertain times. Two young siblings must take care of their dangerously ill parent and protect each other from the outside world during a pandemic in this zombie apocalypse movie directed by Sean Tretta (Mayans M.C.; 12 Monkeys).

Day 14 is now showing in our virtual screening room alongside one dozen short films including In Your Arms Tonight, a University of Texas drama about a young maid who contemplates her future after having an affair with her rich employer.

From a deputy in a small town on the hunt for a missing child in the thriller Sidewinder, to an Iranian drama about a soldier caught in a dilemma between ethics and duty, Round III of The Madlab Post's Short Film Slam features multicultural perspectives on several themes including parenting, family drama, self-identity and the complexities of war, crime and punishment, and John Gray's (CBS' Ghost Whisperer) dark comedy about a Zoom meeting that goes off the rails.

Visit tix.madlabpost.com for a virtual screening ticket to see all these short films and cast your vote for your favorite among our eclectic mix of live action, thriller, animation and star studded comedy from several countries including U.S., Canada, Nepal, UK, India and more!