"Method actors suggest that you do sense memory exercises every time you do a scene. I use every method I can. Whatever works, I'll use." - Daniel Craig on his nameless role in the gangster film "Layer Cake."

While initially shooting the main scenes for a short motion picture that I’m working on, it has become obvious that some of the rules taught in schools and books about production need not apply to this particular project. Blocking scenes -- an often essential part of the moviemaking process, is one of these rules. Most filmmakers, film professors and related experts will probably tell you that blocking is necessary for everyone including cast and crew to know where to stand or which directions to move in a scene.

Yes, blocking makes things move quicker and easier since people know how they are going to fulfill whatever role they’re playing (acting, makeup, focus pulling, cinematography, etc.) in the production. I won’t deny that. Blocking can also cause confusion, divides focus and lead to actors forgetting other important parts of the scene, such as the dialogue -- something that was brought to my attention this month. On this current project, I’ve started to realize that sometimes, blocking is not a useful method for which to set up some of the scenes that we’re shooting.

British actor Daniel Craig, who plays James Bond in “Skyfall” does not adhere to one particular method of preparing for a movie scene. Instead, Craig utilizes whatever helps him get into character for the particular role and production that he is involved in. Perhaps, it would do many filmmakers some good to take a page from his book of setups and preparation -- including me.

For the most part, it does not matter how you get to your destination, so long as you make it there. What started out to be so simple in concept became a little more involved than I anticipated. Now, I must adapt and adjust where necessary to make sure that the bigger picture is not lost in the shadows of minor details like whether a guy sips his cup of tea before or after he walks through a door. It doesn’t really fucking matter -- just get him moving; and no, this scenario is not from the production I’m in the middle of now. That would be too easy.

Thank You all for visiting and interacting with this blog. I know that it’s behind on the Monday Movie Meme (let’s just skip this week, ok?) and the King Dong series among other posts. I will do what I can to keep this thing going and not lose my mind in the process.

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